Phil Lee Audio
Sound for film, television and audiobooks.
Sound design, supervision and mixing for features, high‑end series and full‑cast audiobooks. Based in London.
Credits
- Sound Designer, all episodesThe Regime
- Sound FX Editor, episode 10House of the Dragon
- Sound FX EditorLuther
- Sound Designer, all seven booksHarry Potter, full-cast audiobooks
- Sound DesignerAzrael
- Sound FX EditorEmily
- Sound FX EditorOperation Mincemeat
- Sound FX EditorThe Lost King
- Supervising Sound DesignerA Million Days
- Sound FX EditorThe Son
- Sound Designer, 4 episodesSherlock & Daughter
- Supervising Sound DesignerThe Show
- Sound FX EditorFlorence Foster Jenkins
- Sound DesignerTurbulence
- Sound FX EditorVictoria & Abdul
- Sound FX EditorCarmen
- Sound FX EditorThe Two Popes
- Sound FX EditorGoodbye Christopher Robin
- Dialogue EditorDaley
- Supervising Sound FX EditorCount Me In
- Sound MixerJump
- Supervising Sound FX EditorBlithe Spirit
- Supervising Sound FX EditorThe Last Full Measure
- Sound DesignerThe Art of Racing in the Rain
- Sound FX EditorThe Snowman
- Sound FX EditorThe Journey
- Sound DesignerSerenity
- Assistant Sound EditorJack Ryan: Shadow Recruit
- Assistant Sound EditorHercules
- Sound FX EditorThe Danish Girl
- Assistant Sound EditorThe Second Best Exotic Marigold Hotel
- Sound FX EditorTrespass Against Us
- Sound FX EditorWoman in Gold
- Sound FX EditorThe Program
- Sound FX EditorDamascus Cover
- Sound FX EditorWar on Everyone
- Re-Recording MixerThe Birch
- Sound FX EditorTulip Fever
- Sound FX MixerThe Man Who Knew Infinity
- Sound FX EditorThe Perfect Fit
- Re-Recording MixerSuckablood
- Supervising Sound EditorDon’t Move

I’m Phil, a sound designer, supervising sound editor and immersive audio specialist working out of Bethnal Green, London.
I create bespoke, story‑first sound for features, high‑end television and full‑cast audiobooks. I keep the process calm, organised and on schedule, so sound is one less thing to worry about in post. I started out playing in an alt‑rock band, and I still think like a musician, shaping emotional arcs with rich, detailed sound to give every project its own sonic identity.
Immersive audio in Dolby Atmos
I was part of the sound team on the Harry Potter full‑cast audiobooks, where I worked on the sound design throughout the series. All seven books were mixed in Dolby Atmos, a pioneering use of the format at the top end of audiobook production.
Installations and sound art
I also make immersive sound installations and sculptural sound art, supported by Arts Council England and the Canada Council for the Arts.
Listen on SoundCloud- screen credits on IMDb
- 87+
- Sound Design, University of Edinburgh
- MSc, Distinction
- Based in
- London, UK
Get in touch
Tell me about your project: what it is, where you are in the schedule, and what you need from sound.
- Work
- Sound design, supervision, FX editing and mixing for film, television, audiobooks, immersive audio and any other project that needs great sound.
- Where
- Based in London, UK, and working remotely with productions worldwide.
- Elsewhere
- IMDb LinkedIn Instagram SoundCloud
Thank you.
Your message is on its way. I’ll be in touch soon.